“ B y p u t t i n g t h e l i g h t i n s i d e
a n d m a k i n g t h e c l a y t r a n s l u -
c e n t , y o u ’ r e p u t t i n g t h e t o u c h
o f y o u r h a n d i n t o t h e w o r k .
I t ’ s t h e s e n s i t i v i t y a n d t o u c h
o f t h e h a n d t h a t y o u s e e i n
t h e l i g h t . ”
—
M a r g a r e t O
’ R o r k e
O p p o site p ag e le ft to
rig h t: E arly ta b lew are,
1981, th ro w n , low -fired
sto n ew are, g reen co p p er
glaze.
Photo/M ichael Fontes.
P orcelain te a p o t, 1982,
th ro w n , re d u c e d in
glass k iln . S h o w n in
W in c h e s te r C o lleg e
E a st G allery , 1983.
Photo/M ichael Fontes.
E arly th ro w n p o rcelain
lam p, 1983, sh o w s both
red u ctio n an d o x id atio n
firing.
L id d ed tra n slu cen t p o r-
celain lig h t v essel, 1992,
m ad e in R y o ji K o ie’s
stu d io in ja p a n .
A b o v e, clo ck w ise fro m
to p le ft: O ’R o rk e k n ea d -
ing porcelain in h er s tu -
d io in O x fo rd , E n g la n d ,
2007. T ra n slu cen t p o rc e -
lain lig h t fo rm , 1989,
th ro w n , re-fo rm ed and
flu ted . C rea tin g th e flu t-
ed p a tte rn in po rcelain ,
7989. In S an b ao , C h in a ,
th ro w n p o rcelain form
c u t w ith a w ir c ,2 o o 8 .
W ire -c u t clay fo rm ,
2 0 0 8 , p ro d u c e d at
S h an x i X ian g lo n g B lack
P o tte ry H a n d ic ra ft C o .,
L td . in C h in a. O ’R o rk e
an d h e r assistan t w ith
form c u t w ith a w ire an d
re-fo rm ed .
050
american craft jun/jul
09